Param ratan dhan payo movie cracker#

And above all Prem is an outsider here who comes to the family to spread love and underline the value of relationships.Ĭast: Salman Khan, Sonam Kapoor, Neil Nitin Mukesh, Anupam Kher, Swara Bhaskar, Deepak Dobriyal

There is a patriarch who wants to bring his love children and legitimate kids under one roof. He makes a case for sister’s share in family property. Sooraj stretches the Brajatya barometer a bit this time and looks at the corrupt practices that have seeped into the Hindu family system. It seems like a comment on the times when even relationships are managed, when money is everything.

The CEO is the only character who doesn’t seek redemption. It is something for it is hard to find a black character in Rajshri’s universe. No wonder, the villain of the piece is a CEO, who manipulates members for the family to his advantage.

Param ratan dhan payo movie cracker#

It is like that Diwali cracker that continues to catch our fancy.Īt a time when Hindi cinema is digging deep into complex realities of modern day family, Sooraj makes a shiny statement on tradition and values of joint family. Together, they take us back to a pristine cinematic utopia, which the mind finds hard to react to but the heart responds. Indeed it is, not only his, but director Sooraj Barjatya’s as well. With family, stand strong - but also bow.īecause nothing hurts like your own blood - and nothing heals like it too.Prem Ratan Dhan Payo, Anupam Kher, the trusted master of ceremonies in many a Rajshri film, tells Salman Khan that simplicity is your biggest prize. Ghee-soaked in goodness, PRDP is gift-wrapped with a simple line. And alongside tradition, it presents modernity too, in a princess who chooses her own prince - and an aam aadmi more regal than royalty (whose feather redefines Mughal-e-Azam's love scene). But the film captures the gold-rimmed goggles and mothballed notions of a mofussil maharaja. Some unconvincing sequences - a feudal football match, giggling flood relief, dancing halwais, action atop a plyboard mahal - could've been trimmed. Playing bitter sisters, Swara and Aashika have one of the film's sweetest moments - with a brother who stops being a royal pain. Deepak Dobriyal delights as Prem's dost Kanhaiya, Armaan works a violent swagger well while Neil sulks as a sour prince whose gimlet has way too much lime. Sonam carries off her princess beautifully, a stylish cross between Gayatri Devi and Coco Chanel, conveying a girl wrapped in delicate chiffon, but with a free, passionate soul. The acting is ace - this year is Salman's finest yet in cinematic grace. His Prem is luminous with life, cheekily cheery - teasing Diwanji as 'virgin Bapu' - then deepening, like sugar stirred into kheer, in silent gazes of hesitant love. His Vijay is tense, terse and taut, radiating machismo but no gentleness, loneliness with king-sized ego. Salman performs with superb finesse, skillfully creating a caviar-chole bhature cinematic contrast.

As Vijay suffers their violent assault, Pritampur's Diwan (Anupam) asks Prem to play Vijay's part - and protect Maithili.īut what happens when Maithili is drawn to Prem? And when Vijay wakes up? But Vijay's fallen prey to a conspiracy by his wicked brother Ajay (Neil) and relative Chirag (Armaan). Prem decides to meet Maithili at the coronation of her fiancé Prince Vijay (Salman) in Pritampur. Prem Dilwale, Ayodhya's Ram Leela artist, admires Princess Maithili (Sonam) and her charitable work.